Chamber Music Conversations and Make Music Philly: Open to All Adult Musicians This Friday

Lessons and classes for the 2012-13 season may have ended, but music at Settlement continues this week. Join us on Friday, June 21 at the Mary Louise Curtis Branch for Make Music Philly, a free day of music across Philadelphia on the longest day of the year. Our contribution to this day of music is Chamber Music Conversations, spotlighting our Adult Chamber Players program and chamber music faculty, but adult amateur musicians of all kinds and in all genres are welcome.

3:30-5:30 PM: Informal ensemble sessions for chamber music, jazz, folk, rock and Taiko drumming - play or sit in and observe

5:30 PM: Wine and cheese reception for all guests in Field Recital Hall; performance hour featuring soloists and ensembles in PNC Bank*Presser Recital Hall

6:30-8:30 PM: Informal sessions continue

Bring an instrument and take part in ensembles playing all of the following genres, or come be a part of the audience and meet like-minded adults who share your love for music. You do not need to come with an instrument to enjoy the evening with us and to learn about Settlement's programs.

-Chamber music: anything from duos or piano trios to string quartets or wind quintets, depending on instrumentation available. The Adult Chamber Players program, established in 1992, has been a staple of Settlement's adult programming at the Mary Louise Curtis, Wynnefield and Willow Grove Branches. One program member recently reflected on several years spent playing and making friends through Adult Chamber Players.

-Rock and folk music: It's been a big year for guitar at Settlement, with our newly launched Adult Rock Band program at several branches and the continuing popularity of group lessons for beginning adult guitar students. This Friday, classic tunes and modern-day favorites are all welcomed!

-Jazz: Adult Jazz Bands were active this year at the Mary Louise Curtis and Germantown Branches, and there's a new one starting at the Wynnefield Branch in the fall. Winds, brass, guitar, bass, percussion, piano -- the genre known as "America's classical music" embraces all sorts of instruments.

-Taiko drumming: One of Settlement's most popular adult program, our Taiko drummers were featured during our contribution to the 2013 Philadelphia International Festival of the Arts. The drums are big, and the music can be loud and intense, but Taiko can be a vigorous workout as well as a calming, meditative experience. This is one you won't need to bring your own instrument for!


Also, look for a live demonstration by Kyo Daiko, our Taiko ensemble formed through a partnership with Shofuso Japanese House in Fairmount Park, at 30th Street Station at 8 AM on Friday! Catch it on your way or take a detour to check it out. It'll be the kickoff to a day full of music across the city. We can't wait!

A moving experience: Adult programs and chamber music at Settlement

For some insight on musical opportunities for adults at Settlement and the connections they make as a result, we turn the blog over to Anne Hopkins, cellist and member of the Adult Chamber Players program for three seasons. Her dedication goes way beyond getting together to play every other week.

I heard about Settlement's Adult Chamber Players program several years ago when I lived in Hershey, PA, two hours away. Too far away, I thought. But I drove to the Willow Grove Branch for a "courtesy" session, thanks to the wonderful program director, Marka Stepper. I thought I owed it to myself to go to this one time, knowing that it was much too far away for anything regular. I arrived after the two-hour drive, played quartets -- Beethoven, Mozart, Mendelssohn -- and I was hooked.

The Willow Grove Branch, one of three sites for the Adult Chamber Players program

I signed up for a season, knowing that this meant a two-hour commute each way every other week. The great thing about Settlement's Adult Chamber Music Program is that you get to meet other people who love playing this kind of music. I signed up for a second season, and in the afternoon met with a group of three new friends to play quartets. Each session made for a very long day, but I remember so well driving home late, tired and happy, enjoying the sunset as I headed west towards Hershey. The next year, I signed up again, and in addition to my afternoon group, I met up with others at my friend Linda's house the night before to play chamber music. It was wonderful. Sleeping on a couch at my daughter's house, on the other hand, wasn't so wonderful.

An Adult Chamber Players ensemble rehearsing at the Willow Grove Branch

For my fourth season, I signed up for a coached group in the afternoon. Marka, the program director, is also a violist, and she served as our embedded coach. We played a Mendelssohn quartet, going over the piece in depth and with incredible sensitivity to nuance. It was a powerful and very rich experience. It was during this year that I began to talk with my husband about maybe moving to somewhere near Willow Grove so that I wouldn't have a long commute (and wouldn't have to sleep on a couch) and could meet more often to play chamber music with my new friends. Well, it so happened that we found a house that we liked in Wyndmoor, 15 minutes from the Willow Grove Branch, bought it, sold our house in Hershey, and moved here in May.

Thanks to the other musicians I met at Settlement, I have so many opportunities to play -- every day, if I could manage it. In short, I'm a big fan of Settlement and the Adult Chamber Players Program. Next year I want to play in all the Settlement programs in the Philadelphia area!

Learn more about Settlement's adult programs at Chamber Music Conversations, an open house and evening of music for adult musicians, on June 21 at the Mary Louise Curtis Branch. Bring your instrument and we will organize an ensemble for you, whether you play classical, jazz, rock, or folk music, or come be a part of the audience and meet like-minded adults who share your love for music.

Settlement's Open House, Saturday June 8, 10 AM to 1 PM

Settlement's 2012-13 school year comes to an end next week. After the Annual Concert on Sunday, there's one last week of lessons and classes before students and teachers alike head off for summer camps, festivals and well-earned vacations. Before we send everyone off for the summer, we hope to get to know some new people first at the annual Open House, held tomorrow, from 10 AM to 1 PM, at all of Settlement's branches.

Students and faculty will be performing and leading demonstrations, and staff and volunteers will be on hand to answer questions about all of the lessons, classes and ensembles offered both this summer and year-round.

A full schedule of events at each branch is available here, but from all of the events packed into just three hours at each branch, here are a few selected highlights:

-Suzuki play-in at the Mary Louise Curtis Branch. We've talked about the Suzuki teaching method here before, now come see what has made the Suzuki program at Settlement such a popular choice for very young musicians and their parents.

-Cello-bration at the Willow Grove Branch, including a performance by a cello ensemble, coached by Christine Danoff, of Villa-Lobos' Bachianas Brasileiras. It's a sneak preview of Sunday's Annual Concert, too.

-Performances by student jazz and rock bands, coached by Mark Forchic, at the Germantown Branch. It's been a year of tremendous growth for jazz ensembles at Settlement, and Mark's ensembles have been performing far and wide.


-Voice recital featuring students of Susan Rheingans at the Kardon-Northeast Branch

-A demonstration of Percussion Construction, a percussion class where children ages 5-7 play alongside their parents, at the Wynnefield Branch.

-Demonstrations and performances by Children's Music Workshop students at the Camden School of Musical Arts. CMW provides an introduction to music theory, notation and musical development -- a great way for young musicians to learn music fundamentals before starting on an instrument.

Rites of swing: Jazz performances abound this spring

It's been a big year for jazz at Settlement, with jazz ensemble programs thriving at the Wynnefield, Kardon-Northeast and Germantown branches. Plus, the Advanced Study jazz ensemble at the Mary Louise Curtis Branch recently won a Student Music Award from DownBeat magazine; read more about that here!

Guitar faculty Mark Forchic coaching several saxophone students

Spring brought a staggering number of performances throughout the community by ensembles from all of these branches. The list includes:

• regular performances at the City Line Landmark Americana
   
• a Jazz Festival on April 7 at the Mary Louise Curtis Band, in collaboration with professor Chris Farr from the University of the Arts and members of the UArts Jazz Band and with ensembles from all branches taking part

• a jazz-centered performance hour at the Wynnefield Branch

• a patio performance at the Free Library of Philadelphia's Wynnefield Branch, with piano faculty Scott Coulter joining several members of the Wynnefield Jazz Ensemble

• the South Street Spring Festival, sponsored by the South Street Headhouse District, with a crowd of thousands passing by

• the City Avenue Spring Fling. Saxophonist Jack Savone, a member of the Kardon-Northeast Jazz Ensemble, was even asked to sit in with Chico's Vibe, a professional group that performs widely throughout the Philadelphia area

 

Outdoor performance at the Free Library of Philadelphia's Wynnefield Branch

These numerous performances are partly a reflection of the dedication of guitar faculty Mark Forchic, who coaches the ensembles at Wynnefield, Kardon-Northeast and Germantown. Along with the directors at those branches, he sought out new students at many local schools, and he's instilled a serious, performance-oriented mindset in all of his groups this year. "I treat it like we're a working, performing jazz group." Weekly practice sessions are "not like in school; we play like we are going out to play a gig -- which we do."

All these gigs wouldn't have come about with a talented bunch of students. One of Forchic's ensembles at Wynnefield started this year ahead of the rest -- the members are all students at Lower Merion High School and have been playing together for years -- and played the majority of the concerts. Forchic says those students -- Tom Hagen, Dean Hughart, Ellis Kelsey, Jeremy Katz, and John Della Franco -- are a special group. "It's unique from the other groups I have," he says. "I've had them for two or three years now, and they spend so much time playing and just hanging out together."

The ensembles at Kardon-Northeast and Germantown, plus the other two ensembles at Wynnefield, have all worked on catching up with the older, more experienced ensemble, and all have been featured during this busy season of shows. All of Forchic's groups dig deep into classic tunes, drawing from the professional jazz player's standby The Real Book, and work on making up arrangements on the spot -- no writing anything down.

The busy season is coming to a close with a performance at the Seger Park Playground Spring Festival on June 2 and numerous performances school-wide during the Open House on June 8. After a little downtime for students and faculty, jazz at Settlement will pick back up once again with the Summer Jazz Camp from July 29 to August 2. For more information on the jazz ensemble program at Settlement, contact the Branch nearest you or stop by the Open House at any of our branches on June 8 from 10 AM to 1 PM.

Piano faculty member shares keys to success

As the school year draws to a close, two upcoming events—the Open House at all branches on June 8, and the Annual Concert on June 9—really show the best of Settlement: our programs for all ages, our classes and ensembles that help produce both talented musicians and well-rounded individuals, and our remarkable faculty. Over the next several weeks, we'll feature some of our faculty members who will be part of Open House or whose students will be performing at the Annual Concert, starting with piano faculty Dolly Krasnopolsky. She's a fixture at Settlement and an important part of the Russian-speaking community in Philadelphia, especially near the Kardon-Northeast branch, and her students all sing her praises—even ones, like Pulitzer Prize-winning alumna Quiara Hudes, that haven't played for many years.

Dolly Krasnopolsky, longtime piano faculty at Settlement

Piano instruction has been at the center of Settlement since its founding, and for over two decades, Dolly Krasnopolsky has had a profound impact on many young pianists. Now serving as the Ann Stookey and Joseph W. Waz, Jr. Distinguished Faculty Chair, Dolly has taught at four Settlement branches over the course of 24 years since emigrating from the Soviet Union. She now teaches at three branches—Mary Louise Curtis, Kardon-Northeast, and Willow Grove —and spends long days, packed with students, at each. Through recommendations and requests over the years, students of all ages have sought her out; her youngest is 6, the oldest well past retirement age.

Whatever their ages, her students receive a thorough grounding in what Dolly calls the “musical apparatus”: the alignment and coordination of wrists, hands and fingers that control the fundamentals of playing piano. It’s a process from A-to-Z influenced by her education in conservatories in Moldova, though instruction there “was a little more military,” she admits. Her pupils clearly benefit from this approach; they frequently play in performances at Settlement, competitions, and major events throughout the wider community.

Q: Over the years, what have you noticed that your students all have in common?

Dolly Krasnopolsky: At the beginning, everyone starts with music because it is fun, but they don’t realize that it is hard work. In every case, interest, aptitude and musicality all lead toward progress and development. Regardless of talent, I always have students who enjoy doing music as something for their soul. There’s
always variety among students, but as long as they have discipline and can find focus in music, there is always progress.

Q: How can parents best support their children in playing music, regardless of their ability?

DK: Early exposure to music—playing recordings, taking them to concerts—can help steer a child toward music, but it is not important that parents have musical knowledge themselves. What matters is to set aside the time for music and to stick to a schedule. Parents always ask me, “What age is good to start music?” They should know it is possible to jump into music too soon.

Q: What does it mean to you to see your students succeed in their musical careers?

DK: I love to see my students learn to play well enough to represent themselves and to develop skills in stage presentation. They can go from performance hours here to recitals to performances outside the school. This progression is very important, because it reflects well on them as well as on Settlement and our focused structure of teaching. Once you have the technical skills and the presentation skills, you can play anything, and I feel there’s a little more satisfaction in playing a very difficult classical program.

Q: What can you accomplish teaching at a place like Settlement that you couldn’t by visiting students’ homes?

DK: With the environment of the school, everything is possible; that’s what makes it a school of music. Students have so many opportunities to perform at different levels and on different stages. If they show an interest in composing, I can send them across the hall to study with one of my colleagues. They can study theory or composition. They can try out a choir or an orchestra. They can play in small groups and chamber ensembles. Out of those roots, they can branch out.

A version of this interview appeared in the spring 2013 issue of our NOTES newsletter.

Learning and growing, beat by beat

For a student's perspective on the Settlement community and the impact music has on those who play it and hear it, we turn the blog over to Jessica Solomon, a longtime student of Sue Jones at the Wynnefield Branch.
 
I have been drumming my heart out since I was eight years old. As a percussion student at Settlement’s Wynnefield Branch, I have studied a range of instruments, including timpani and marimba, and each year I have passed a certification exam, advancing to the next level. Through Settlement, I have gained an appreciation for music that I did not have prior to starting drumming classes.

Settlement percussion faculty Sue Jones, with one of her students

Gaining knowledge of what goes into making music -- not just the notes, but also the creativity, dedication, and practice -- has given me a better understanding when listening to music, whether live or through headphones. Playing in the Percussion Ensemble, led by Sue Jones, has given me the opportunity to perform with other musicians and opened me up to new techniques and styles. I have gained a lot of confidence through drumming. It brings out a side of me that makes me feel empowered, knowing that I have the ability to create a beat or a rhythm that is a brand-new piece of music.

One of our most rewarding performances was at an Open House for prospective students. We began the event with a piece that created a mood of excitement; the children joined in with small percussion instruments, thrilled to be making music with us. I saw the faces of little children filled with awe when the rhythm of the tambourine or maraca they were shaking actually fit into what we were playing. That moment of connection filled me with a sense of purpose that I believe every child should experience.

Above all, playing drums at Settlement has taught me two important lessons. The first is that music should never be taken for granted. Playing music is a skill that must be acquired, learned and perfected. Not everyone can sit at a drum set or a piano and play gorgeous music right away. If you want to play well and be known, you have to practice -- sometimes until you have calluses on your hands. Second, music brings joy to everyone and should always be taught. Music is a universal language that links many cultures, and without it, language barriers are harder to break and friendships are often harder to create.

I've found that being a female drummer is always a conversation starter -- there aren't many of us. It's just one way that music connects me to the world, and I continue to find new ways that music connects things in the world around me. That appreciation for music, and the memories I've made, are something I'll always take with me from my time at Settlement.

Jessica, a senior at Jack M. Barrack Hebrew Academy, has served as Communications Department intern during spring 2013. She will continue her studies in music at Goucher College.             

Recital Season: Certification at Settlement Music School's Wynnefield Branch

For a student's perspective on the Settlement community and the impact music has on those who play it and hear it, we turn the blog over to Jessica Solomon, a senior at Jack M. Barrack Hebrew Academy, Communications Department intern, and a student of Sue Jones at the Wynnefield Branch.

The 2013 Certification Concert for Settlement Music School's Wynnefield Branch on Thursday, May 2, 2013 was a truly rewarding experience. It felt wonderful to see the students play their hearts out and to see them and their family members in the audience be influenced by music.

Kendall Anderson, 10, violin student of Monique Johnson

Nine students, ranging in age from eight to eighteen, performed pieces on piano, violin, flute, saxophone, and guitar. The program featured both classical and modern music, plus some pre-concert jazz played by the Wynnefield Jazz Band as the audience came in. (It's been a busy month for Settlement's jazz players -- more on that in a post later this week!) Family and friends offered encouragement to the performers before and after the concert and recorded videos on cameras and cellphones. Lots of younger siblings were enthralled by what their big brothers and sisters were doing.

Joyce Yuan, 7, violin student of Fran Berge

After the concert, Curtis Jones, Jr., Philadelphia City Council Member for the 4th District, gave an impassioned speech about the need for Settlement to thrive and to think about the investment the parents are making in their kids. Instead of kids being out on the streets, he said, they are learning the gift of music. He has been a strong supporter of Settlement and touched on the fact that the Wynnefield Branch has given over $100,000 in scholarships.

Philadelphia City Councilman Curtis Jones, Jr. His Deputy Chief of Staff,
Morgan Cephas, serves on the Wynnefield Branch Board of Directors.

Following his speech, the names of students who qualified for certification were read and certificates were handed out to those present. Then, to the surprise of two seniors, they received the Robert L. Goodale and Rachel Perkinson awards for their participation in Settlement and for graduating from Settlement. The night was a positive night for music and bringing family and friends together to witness the hard work and dedication of those performing. Certification concerts continue throughout early May: the Willow Grove Branch students performed on Sunday, May 5, and more concerts will take place May 7 at the Camden and Mary Louise Curtis branches, May 16 at the Kardon-Northeast Branch, and May 18 at the Germantown Branch.

Collaborate and listen: Settlement partners with local arts organizations

The next month at Settlement Music School brings exciting partnerships with other arts and educational organizations: one a new venture, the other an annual tradition.

The performance hour and gallery opening at the Germantown Branch, featured on GoMtAiry.com

Student recitals are scattered throughout the year at all six Settlement branches, but the one held on Sunday, February 24 at the Germantown Branch will be more than a showcase of students' skills. Allens Lane Art Center, a fixture of the arts and culture in the Mt. Airy neighborhood of Northwest Philadelphia, is opening a satellite gallery in the Samuel and Elaine Lieberman Auditorium at the Germantown Branch. Following the recital on February 24, there will be a reception with local artist Vincent DeLeo, whose art will be on display in the auditorium through March 24.
 

Cuatro Celli, with cellist Timothy Eddy of the Orion Quartet (center) and cello faculty Christine Danoff (far right)

The end of that same week brings Settlement's annual collaboration with the Jenkintown-based Metropolitan Ballet Company. The program, "Variations/Collaborations," features Settlement students accompanying the 30-member classical dance company in performances of ballet and modern dance. Featured performers from Settlement include Cuatro Celli, a cello quartet coached by cello faculty Christine Danoff; a piano trio coached by piano faculty and Arthur Judson Distinguished Faculty Chair Sandra Carlock; and solo performers, including Kristal Daniels, voice student of Judith Turano, and faculty member and Mr. and Mrs. Donald Kardon Distinguished Faculty Chair Jean Louise Shook. The program, which was previewed on Philadelphiadance.org's danceJournal blog, will be held Saturday, March 2 at 7 p.m.; tickets are $15.00 and can be purchased online at www.metropolitanballetcompany.org

The creative energies from these artistic collaborations will continue throughout the year, including recitals and certification concerts throughout the spring and Settlement's contribution to the Philadelphia Festival of the Arts on April 13 and 18.

Learning and growing with Settlement

For a parent's insights into the Settlement community and the bonds between student and teacher, we turn the blog over to Andy Trackman, whose daughter studies with Kathleen Scheide at the Germantown branch.

Every Wednesday, I pick up my daughter from school at Germantown Friends School and drive the short trip to Settlement’s Germantown branch. We make our way up the second floor to the music studio. We’ve been doing this for about 6 years now. This is her first year at GFS; the past 5 years of lessons, we have come from Greene Street Friends, only a block shorter.

Between lessons here is a lot like between classes at a school, in terms of activity. You see a mix of students and parents coming in: reluctant toddlers being pushed along by their parents, teenagers arriving on their own with their instruments, excited youngsters hurrying, their parents close behind. Many join me in the hallway, with book or smartphone in hand, waiting for the lesson to finish, while others go into the lesson with their kids. What I like is seeing all these different people coming in and out, it’s more of a community than an individual lesson in your house. You feel like you’re part of something bigger and more interesting.

The view from the hall at the Germantown branch

 Many weeks, it’s just me and all the lessons going on – piano in one room, strings in another, drums down the hall. Just as I can hear lessons through the doors of the practice rooms, I can listen to the teachers play their own music in the gaps between their lessons or if their next student is running late. Just from these short practice sessions, I realize how accomplished they are, and how fortunate I am to have my daughter being taught by one of them.

Now that she’s 15, my daughter more actively appreciates the accomplishments of her teacher. This past summer, we attended a concert by in which her teacher performed. It featured Baroque music on period-accurate instruments. Her performance was wonderful, and afterwards my daughter and I talked about how good she was. Now, did this inspire her to practice more? Did she suddenly feel the need to learn harder pieces, become more focused?

Not exactly. But I do think she is more respectful of her lesson time, now that she knows the relationship with her teacher is more than just the thirty minutes she spends with her each week. She’s also starting to write her own songs and lyrics. She takes what she’s learning in her lessons and applies it to the music she likes to create. She wouldn’t have the vocabulary or the knowledge to do this otherwise. Her mother and I felt she needed music education in her life, not so she would become a concert pianist, but so she could get to know an instrument she could use and enjoy and benefit from for life.

Starting out with Suzuki

We asked some of our faculty members to offer some insights into the methods and motivations behind Settlement's offerings in music, dance and ensemble instruction. Today, in honor of the birthday of Shinichi Suzuki, developer of the Suzuki method, we turn the blog over to Daniel Elyar, faculty member since 2003 and instructor at the Camden and Mary Louise Curtis branches, to learn more about Suzuki and working with the very youngest musicians.

The Suzuki method is a set of instructional techniques for young children, including daily listening, constant repetition, parent responsibility, and loving encouragement, among other elements. Shinichi Suzuki’s basis for developing this method stemmed from post-WWII Japan; he desired to create a generation of “noble souls” and help communities build from the ground up, starting with the youngest. He felt violin was one of the best tools to do this, though not to the exclusion of other disciplines like piano, flute or even mathematics!  He felt that as a child desires to learn their native language well and does, this “mother-tongue” instinct can be tapped to create groups of young children who learn many difficult -- but also creative, enlightening, and fun -- skills together.  The idea that violin had to be learned by children in middle school was dismissed; if the children can talk and listen, they can play and make music.  
 

Elyar (on left in background) and his students in a showcase at Settlement's annual Open House

This is how I was trained as a young violinist: I recall playing countless rounds of “Twinkle, Twinkle Little Star” and “Lightly Row” with groups in venues ranging from concert halls to shopping malls, and each time I played, the community came together to celebrate the talents of the youngest and showing the community that playing together makes them patient, productive, kind to others and creative. After these experiences, it came naturally for me to study the Suzuki method when I went to Conservatory.  As enjoyable as it was as a small child, I learned to appreciate its value as a method of learning by teaching it.  Knowing the method from the child’s perspective and the trained teacher’s has given me a wealth of ideas on how to help the youngest in these communities thrive and blossom.

The ideal of a “three legged stool” is emphasized from the beginning. The legs which support the learning are the pupil, the teacher, and the pupil’s involved parents -- a new concept at the time. Also, the ideal of children thriving when learning together comes through from the very beginning: no young child would excel at a difficult skill if sat in a room with an adult only once a week with no other stimulus. 

The child must be immersed in the sounds of music daily and guided through play and lessons in groups with his or her peers together.  Not only do the children learn from the teacher and the encouragement of the parents but also by witnessing their peers play on a weekly basis in group classes. Then Suzuki created a graded curriculum of music that progresses step by step with pieces that enliven the developing musical mind as well as the fingers -- possibly his most enduring achievement. 

Preparing to face a number of challenges

The prospective Suzuki student faces a number of challenges: the violin is a tricky instrument to start on, and the sounds are possibly the least pleasant of all instruments at the very beginning. The ear, mind and fingers all need to be developed well with each other for students to excel. Fortunately, the Method gives the pupils a set of tools with which to face these challenges: a musical curriculum that is appealing from the very beginning, a structure that encourages participation and development through weekly lessons and group classes, a way for parents to be involved and better understand the skills their children are working on, and, most importantly, especially to Dr. Suzuki himself, gentle encouragement and love. The discipline of violin technique is too tricky to face without it. 

With this method, my young students love what they do and develop a fun working relationship with a group of their peers, and I also have parents who are fully engaged and involved in a music making process. I teach the Suzuki method to help a community grow and commit itself in the best way possible to its future.